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''Shadow on the Hearth'' is the first of three science fiction novels by Judith Merril, originally published in hardcover by Doubleday in 1950. A British hardcover was published by Sidgwick & Jackson in 1953, with a paperback following from Compact Books in 1966. Italian translations appeared in 1956 and 1992; a German translation was issued in 1982. It was included in ''Spaced Out: Three Novels of Tomorrow'', a 2008 NESFA Press omnibus compiling all Merril's novels (the other two written in collaboration with Cyril M. Kornbluth). No American paperback of ''Shadow on the Hearth'' has ever been published, although a book club edition appeared.〔(ISFDB publication history )〕 ''Shadow on the Hearth'' tells the story of "a Westchester woman and her two children after the explosion of a series of atomic bombs on New York".〔"Books -- Authors", ''The New York Times'', June 10, 1950〕 Merril described it as "a very political novel, . . . written for political reasons".〔 Merril began writing ''Shadow'' as a short story; "When it reached ten thousand words," she remembered, "I began to understand that it wanted to be a novel." Although she stopped working on the piece when it reached twice that length, needing to spend more time with her young daughter, Doubleday editor Walter I. Bradbury read the incomplete draft and bought the novel. Merril quit her editorial job at Bantam to complete it. When she completed it, Doubleday imposed its own title (avoiding any mention of nuclear war), revising the text to create a happier ending, and wrapping the novel in a nondescript dust jacket. "On the cover was an attractive young mother, obviously in great distress: it could have been a gothic novel", Merril later groused, "or basically anything".〔Judith Merril & Emily Pohl-Weary, ''Better to Have Loved: The Life of Judith Merril'', Between The Lines, 2002, pp. 97-99.〕 In 1954, the ''Motorola TV Theatre'' aired an adaptation of ''Shadow'', retitled ''Atomic Attack''.〔 ==Reception== ''New York Times'' reviewer Charles Poore described ''Shadow on the Hearth'' as "a rather chintzy account of what happened to a Westchester family when the atomic bombs began to burst through the American air", noting that Merril "concentrate() on the creation of believable leading characters" and concluding that the novel "is generally entertaining reading, even if . . . not always for the reasons intended by the author".〔"Books of the Times", ''The New York Times'', June 15, 1950.〕 Another ''Times'' reviewer, John Cournos, received the novel unfavorably, saying its story "seems more like a somewhat uncomfortable picnic than a manifestation of a catastrophe".〔"No Hiroshima", ''The New York Times Book Review'', June 18, 1950〕 Genre reviewers viewed Merril's effort more favorably. Groff Conklin described ''Shadow on the Hearth'' as "a masterly example of sensitive and perceptive story-telling."〔"Galaxy's Five Star Shelf", Galaxy Science Fiction, October 1950, p. 141.〕 Boucher and McComas praised it as "a sensitively human novel, terrifying in its small-scale reflection of grand-scale catastrophe."〔"Recommended Reading", ''F&SF'', December 1950, p. 104.〕 P. Schuyler Miller found it a "warm, human novel" comparable to ''Earth Abides''.〔"Book Reviews", ''Astounding Science Fiction''. March 1951, p. 145.〕 ''Startling Stories'' declared that "its beautifully rendered interlocking series of incidents and events . . . creates an almost too-vivid picture for the reader of what life in the very near future may become".〔"Science Fiction Bookshelf", ''Startling Stories'', November 1950, p.160〕 Kenneth F. Slater wrote in ''Nebula Science Fiction'' that "The emotions you will find here are in places hard and brutal, not softly sentimental".〔"Something to Read", ''Nebula'', February 1954, p.125〕 ''Future Science Fiction''. however, dismissed the novel for its "'true confession' level of writing".〔"From the Bookshelf", ''Future'', November 1950, p.98〕 More recent reviewers also rate the novel highly. Lisa Yaszek writes that ''Shadow on the Hearth'' "is one of the only postwar holocaust narratives that manages to work its way out from under the paralyzing shadow of the mushroom cloud and to imagine the possibility of women -- and men -- working together to build a more peaceful and rational future".〔"Not Lost in Space: Revising the Politics of Cold War Womanhood in Judith Merril's Science Fiction", in ''New Boundaries in Political Science Fiction'', Donald M. Hassler & Clyde Wilcox, eds., University of South Carolina Press, 2008, p.83〕 ''Judith Merril: A Critical Study'' notes that "contemporary critics respect Merril's novel for its originality in domesticating nuclear attack -- hence the story's power and darkness".〔Dianne Newell & Victoria Lamont, ''Judith Merril: A Critical Study'', McFarland, 2012, p.35〕 David Seed reports the novel is "universally praised . . . for its understated method, avoidance of melodrama and unusually oblique description of nuclear attack".〔''American Science Fiction and the Cold War: Literature and Film'', Routledge, 2013, p.57〕 M. Keith Booker declares that ''Shadow'' is "a relatively daring novel" and "a useful corrective to the heroic vision of post apocalypse life".〔''Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946-1964'', Greenwood Publishing, 2001, p.70〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Shadow on the Hearth」の詳細全文を読む スポンサード リンク
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